![]() ![]() It is with this in mind that I share with the reader a little taste of the richness that lies behind the classic covers on the following pages. Rather, it serves as a sacred talisman and Rosetta stone that unlocks the mysteries of identity and history, and artist/designers like Izzy Sanabria, Ely Besalel, Charlie and Yogi Rosario, Ron Levine, Chico Alvarez, Dominique, and in Brazil, Rogério Duarte and Hélio Oiticica, are the poet-seers of the vinyl realm, guiding us along the path to self knowledge. As I grew older I realized that the LP jacket is far from being the mass-produced pulp of ephemeral unreality our quickie throw-away culture wants us to believe. His treasure trove of abused old records served as crucial visual aids to a lost world that was otherwise hard to imagine. Down in the subterranean record stacks I was reminded of my father’s wild tales of Cuba, an exotic place I had never been. The art set me up, suckered me into paying cash I didn’t have. ![]() Because I wanted to know the story behind each cover, I wanted to hear the sounds seductively packaged within. The vibrant colors, obvious joy and exuberance of the musicians, as well as more troubling images of urban decay, outlaw criminality and Surrealist fantasy, grabbed me, wouldn’t let go. There was a display in the window of album covers, and being a young artist, I was immediately drawn to the titillating illustrations and photographs, depicting for this virgin novice swirling worlds of the conga and trombone, sexy smiling mulatas and swaggering bandleaders strutting their stuff. The sinuous sounds coming from that urban oasis echoed down the tiled halls empty of commuters. I can still remember the first time going down into the funky Times Square subway station in Manhattan in the mid 70s as a kid and being blown away by Jesse Moskowitz's Record Mart, a crammed joint selling both the latest and classic Latin music. This article appeared in a slightly different form in Wax Poetics Magazine, issue 12, Spring 2005 ![]()
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